That can take scores of individual tracks in Cubase which ends up being a mess. Live has instrument racks, you can easily layer up synths and samplers and MidiFX made in Max any which way you want. This takes the place of all the markers and cycle markers. With a controller like Push, you can also access instantly ANY clip, or scene (section) of a piece with the push of a button assuming you start in session. Sometimes I just crave the simplicity instead of multiple icons all over the place for the same thing, too much visual clutter.Ĭheck out the Multi Clip Editor from Isotonik, it addresses the midi editing flaws you spoke of. Cubase is great for orchestral hybrid stuff, but it's also overly complicated and takes multiple clicks to get the same job done in Live. transposing still sucks, so I do use Chaos Culture like others have mentioned. This is useful to add a subtle swing and put a few notes off the grid.Īll that said. Import grooves and apply them to midi.Select some notes, and move the yellow markers left and right. You can also automate all the parameters of the module so you can achieve builds that preserve velocity ratio. Compress/expand midi information with the midi module called "Velocity".Regarding MIDI editing, Cubase wins easy with its ability to show multiple CC lanes. No need to send anything anywhere, or make busses. Just select a source, and the compressor will sidechain. Since I use my own effect racks: I can Cmd + F "KP - Braam Processing" and drag a rack of 10 plugins onto my synths. Cmd + F, type "kick wav" shows all your kick samples. The browser is incredibly effective: Cmd + F, type "Plugin Name AU" and you can drag the plugin wherever you like.If you select these groups, you can export these groups as stems. And of course you can save your midi processing chain. You can transpose -> harmonise -> compress velocity -> filter notes to a key -> arpeggio it -> shorten note length. The midi effects are super fun: just like plugins, they work in chains.For example: "a" can be used to toggle different mastering chains. Cmd + K allows you to map any button on the screen to your keyboard.(I mapped the shortcut Cmd+Opt+P to my mouse) This sounds simple, but it saves that extra second Kontakt takes when you open it. Ability to hide/unhide plugin windows instead of closing/opening them.Ableton fully restore's your session when you crash using undo history (not like Cubase).Dragging tracks from other sessions into your current session.Automate this one knob = monstrous automation. So I can have 2 chains of synths in parallel, 15 plugins behind it, map all the key parameters (cutoff, distorsion, delay, reverb, comp) to one knob. Ableton racks allow to map multiplie paramaters to one knob.Max 4 Live interconnects plugins together allowing some crazy setups like constantly randomizing synth knobs and delay types.Live's grain delay is one of my secret weapons. Corpus uses IRs to change the acoustic property of your sound. The OTT preset from Live's Multiband Dynamics got very popular so Steve Duda made a version for other DAWs (its free). Some preserve the formants, some the transients, some do play with grain. Pitch and stretch audio using 5 algorithms that sound very unique.This allows to bounce/process indefinitely and very quickly. Audio tracks set to resample record what comes out from the master. Touch one plugin knob and you'll be able to write automation in arrangement window (one click).The default plugins don't require a window so you can see all your processing within a scroll.You can achieve parallel chain processing within one rack.These racks can be saved and used later on other projets.
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